Lisette Model (1901 - 1983): REFLETS
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Reflections, NYC, Pin up, c.1939-45
copyright : Estate of Lisette Model, courtesy baudoin lebon / Avi Keitelman
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Lisette ModelReflections, Fifty-seventh Street, New-York, 1939 - 1945Tirage argentique, c.196040,6 x 50,6 cm -
Lisette ModelReflections, Glamour, New-York, 1939 - 1945Tirage argentique tardif c.196440,6 x 50,6 cm -
Lisette ModelReflections, New-York, 1939 - 1945Tirage argentique d'époque40,7 x 50,7 cm -
Lisette ModelReflections, NYC, Dolls, 1939 - 1945Tirage gelatino argentique, c.196034 x 27 cm -
Lisette ModelReflections, NYC, Dolls, 1939-45Tirage gélatino argentique c.1950-6034,5 x 27 cm -
Lisette ModelReflections, NYC, Legs, 1939 - 1945Tirage gelatino argentique c.196026 x 33 cm -
Lisette ModelReflections, NYC, Red Cross, 1939 - 1945Tirage gelatino argentique, c.196034 x 27 cm -
Lisette ModelReflections, Through Window, 5th Avenue, New-York, 1939 - 1945Tirage gelatino argentique, c.196035 x 27 cm -
Lisette ModelRunning legs NYC, 42nd Street, c.1940Tirage gélatino-argentique40,6 x 50,8 cm -
Lisette ModelRunning legs, NYC, Perspective, c.1940Tirage gélatino-argentique40,6 x 50,8 cm -
Lisette ModelShadows, Two couples, c.1940Tirage gélatino-argentique34 x 24 cm -
Lisette ModelWindow, Bridal Couple, New-York, 1939 - 1945Tirage gelatino-argentique circa 1950-196050,7 x 40,7 cm
REFLECTIONS
In the teeming New York of the 1940s, Lisette Model developed a bold photographic practice, oscillating between urban exploration and formal experimentation. Newly arrived from Europe, she wandered the streets of the metropolis, capturing in her images the frenetic energy of pedestrian movement, shop windows saturated with reflections, the interplay of light on façades, and anonymous figures swallowed by shadow.
An active member of the Photo League, Model combined a critical eye with aesthetic freedom. In her Reflections series, she challenged classical perspective, opting for unconventional angles to reveal the visual and psychological complexity of the city. For her, shop windows became urban stages, condensing within a single frame the bustle of the street, the signs of modernity, and the solitude of human figures. Her work, at the crossroads of European experimental photography and American social documentary, continually questions the viewer’s place within the city.
